Rondo Espressivo from a sonata in B minor
                 by Carl Philipp Emanuel Bach
              Transcribed for AdLib by Larry Soprano

     During J.S. Bach's life C.P.E. was the most successful of
   his sons.  During a visit to this son (while he was the
   chief keyboard player for the King of Prussia) J.S. Bach
   first got to know the piano... which was something new
   in 1748.  This piece is most likely for the piano rather
   than the harpsichord or clavechord because it has a slightly
   larger range than was common for these two older instruments,
   and it is sprinkeled with dynamic markings (pp to f) which
   are possible on the clavechord, but there are a couple of
   notes in the soprano that don't exist on the that keyboard,
   and even the early pianos added an octave above and below
   the usual range of these two earlier keyboards.

      The rondo is in B minor, and is a slow (andante) almost
   sad and lonely piece in two voices through out except for
   two semitone disonences that push the soprano along.  In
   rondo format the main (first) theme appears several times
   seperated by contrasting material sometimes derived from
   the main theme.